Beverly Semmes first won attention for her monumental dresses that powerfully invoke the female body. She merges a formal investigation of color, pattern, and texture with social commentary. Her fabric sculptures simulate and exaggerate such articles of attire as housedresses, ball gowns, and robes. By exaggerating the forms of clothing, Semmes draws attention to cultural stereotypes. In addition, Semmes uses her work to ruminate on the question of craft: her use of fabric allows for her consideration of textiles as well as fashion. In addition, Semmes has a long track record of working with vessel forms in glass and ceramic. This semester, Semmes is teaching two courses at VCUarts.
This lecture was very interesting. I spend so much time looking at photography, taking pictures, working with pictures, talking about pictures, and reading about pictures that it was nice to be able to think in a different way.
Semmes was energetic and truly excited about her her work. Although her work provokes serious discussion, she had a very playful attitude. She didn't take things too seriously.
The images of her exhibitions did not do her work justice. Many of her pieces take up entire rooms, and I feel that you would really have to be there to fully appreciate it.
One thing I noticed about Semmes is that she didn't take her work too seriously. Semmes does certain things just because, there isn't always a concept. I really loved to see this from a respectable, professional artist. Her work wasn't overly heavy with concept and seriousness. It was beautiful work, that worked on it's own. It didn't need some dramatic back story to support it.
So often in the photography department I feel that I am forced to make some huge, dramatic statement with my work. It feels too forced when I just feel like making something for the simple reason of making it.
I was very impressed with Semmes, and excited about her work. It was a great lecture.
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